Open Call for Art, Deadline to enter December 30, 2016
+++ All media will be considered, open to all countries +++
“If you would seek vengeance above all else, be sure to dig two graves.”
The U.S. now confines more than 2.2 million people in its prisons. This amounts to 1.2% percent of its population, more than any other country and eight times more per capita than Russia. Our incarcerated citizens have become a shadow nation, hidden and often forgotten. This shadow nation is supported by a budget estimated at 64 billion annually, or nearly 6% of our gross national product. Incarceration has become a big and rigorously privatized business. Our current approach has produced a profitable if brutal cycle: poverty and the absence of economic opportunity funnel individuals into crime, prisons militate against rehabilitation, convicts re-offend following release, and after arrest are returned to prison as compliant recidivists. As a result, U.S. recidivism rates are now at 68% and increase every year. In this environment, it's hard to tell where justice ends and vengeance begins.
How did we get here? Starting in the 1970’s, our prison population underwent rapid and unprecedented growth. In 2016, we house 700% more prisoners than we did in 1970. This increase happened in spite of steady decreases in violent crime. The growth of the prison population was fueled by the mandatory minimum sentences of the “War on Drugs”, and the accompanying “tough on crime” legislation. Prisoners are now overwhelmingly African-American and Latino, and the majority have been imprisoned for non-violent offenses. Many struggle with drug addiction and mental illness. Prisons in a single state, California, now house more of the mentally ill and drug addicted than all of the hospitals in America.
As grim as this situation appears, there are proven and equitable models for reform. In rebuke to our badly broken justice system, Germany, Norway, Denmark, and Sweden provide examples of what compassionate, evidenced-based approaches to crime and punishment can accomplish. These countries achieve exceptionally low rates of crime and recidivism with lower total and per capita expenditures. All of them provide intensive rehabilitation programs for inmates in an environment modeled closely on the communities where they will be reintegrated. This is followed by extensive coordinated support services after release.
Any path to reform will begin with a demand for justice: justice for the incarcerated, for their families, and for communities devastated by the loss of essential members. We have reached a critical moment in the struggle for a better criminal justice system. It is crucial that the chorus of voices making this demand includes artists and that these artists be willing to wield the power of art to inform, to inspire, and to heal.
Leslie Diane Davis
About the Curators:
Pat Sparkuhl My concern is making artwork that has its own fingerprint. I attempt to explore images that reflect my relationship to issues that I feel are relevant. I seek out unique and personal ways of integrating the various ingredients for my compositions, attempting to develop for the viewer an attitude of curiosity and discussion when viewing a particular artwork.
Curator of exhibits; Festival of Arts & Community Art Project at Wells Fargo Bank, Laguna Beach, Ca.Committee Member; Artists Advisory, Exhibits & Jury Formation, Permanent Collection, Festival of Arts, Laguna Beach, Ca “Photography and Jurying Seminar”, Festival of Arts, Laguna Beach, Ca.
Gregg Stone has been an Art Director at Orange Coast College Media Center, Airbrush Artist, illustrator for a publishing company and fourteen consecutive year exhibitor at The Festival of Arts in Laguna Beach, California. A graduate of Art Center College of Design in Pasadena Gregg has had numerous exhibitions in US and Mexico including notable museums including overseas.
He is also an award-winning signature member of the San Diego Watercolor Society and Western Federation Watercolor Society. Being trained in traditional design and composition which will aid him in judging work in any media. Also, he is an experienced competition judge in both U.S. and Mexico.
Leslie Diane Davis is a transformative sculptor whose work focuses on the role of art in response to social, environmental, and biological crises. After extensive training under Dale Chihuly at Pilchuck Studios, Leslie’s early work concentrated on the tension between biological forms and abstract ideas. Her pioneering 2003 exhibition “Worlds in Collision” marked the beginning of the “third culture” movement integrating art and science. Her latest project, “Incarceration”, explores how art can render the experience of imprisonment and inspire comprehensive criminal justice reform.
RISK AND INDEMNIFICATION
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ACCEPTANCE OF TERMS
By submitting works to INCARCERATION, artists agrees to the rules set forth herein.
Hold Harmless Agreement:
I hereby release the Orange County Center for Contemporary Art and its members from all liability of every kind and character on account of loss, damages, or injury to property which I may have while on the property at 117 N. Sycamore, Santa Ana, CA, 92701. and 1600 N. Broadway, Suite 210 Santa Ana, CA 92706
Any work left at OCCCA after exhibition closing, will be subject to a $10.00 per day storage fee. Any artwork left after 30 days from the pick up date will become the property of OCCCA
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