Gallery will be closed for installation untill our next show


Sonic Kitchen - Snapshots of a Memory

March 30th, 2017. 8-11pm


Pacific Symphony, in collaboration with local artists, serves up a new experience for the eyes and ears with Sonic Kitchen, an intimate and experiential performance series for the musically curious at the Orange County Center for Contemporary Art in Downtown Santa Ana. Each show is curated around a theme or concept and features an eclectic collection of pieces while blurring the line between the performers and the audience.

The debut “Snapshots of a Memory” premieres on Thursday, March 30 with Backhausdance leading the visual spectacle along with VJ Brian Akenoh remixing live visuals while a Pacific Symphony string quartet performs. The event takes inspiration from and serves as a sneak peek to OCCCA’s upcoming Art Opening of contemporary photography by Robin Repp (Selective Memory) and Jane Szabo (Self Evident).

Tickets: https://www.pacificsymphony.org/tickets/concert/sonic_kitchen_snapshots/16568



Robin Repp, Jane Szabo, Laurie Hassold & Jeff Gillette

April 1-29, 2017

Opening Reception April 1, 6pm-10pm


Photographers Robin Repp and Jane Szabo, and sculptors Laurie Hassold and Jeffrey Gillette, explore issues of self, memory, decay and mortality in an exhibition of contemporary art, on view at Orange County Center for Contemporary Art from March 30-April 29, 2017.


Robin Repp - Selective Memory

California or Bust, archival pigment print, © Robin Repp 2017

Jane Szabo - Self Evident

Sugar and Spice and Everything Nice, from the series Family Matters © Jane Szabo 2017 


Laurie Hassold

Dino Bird © Laurie Hassold 

Jeff Gillette

Slum Shacks © Jeffrey Gillette 2017

Special Event / Preview: Thursday, March 30, featuring performances by the Pacific Symphony.



1. make (someone) feel admiration and respect.
2. make a mark or design on (an object) using a stamp or seal; imprint.

May 6-27, 2017

Opening Reception May 6, 6pm-10pm

Curated by Nguyen Ly

Prior to the fifteenth century, images were rare, locked away in palaces to which few had access, or affixed to the walls of churches. The technology of printmaking, developed around 1400, suddenly made it possible for essentially identical images to be mass-produced from a single matrix of carved wood or metal. Technology, therefore, was responsible for making the printed image a ubiquitous presence in modern society through newspapers, magazines, and billboards. In turn, a recent technology, the computer, has been responsible for the eclipse of the printed image. Today, infinitely multiplied images flash across computer screens and smart phones. The proposed exhibition posits the relevancy of the printed image in this digital age. It aims to show the vibrancy and diversity of contemporary fine printmaking, and the possible marriages of digital and hand-printing technology.

Bill Jaros

Yeansoo Aum
Mary Dessert
James Dinh
Bill Faecke
Carole Gelker
Joseph Gerges
Alex Jackson
Bill Jaros
Marelyn Larios
Peter Liashkov
Poli Marichal
Jared Millar
Glenn Morgan
The` Nguyen
Dominga “Minga” Opazo
Rosemarie Palacios
Ernest Price
Victor Rosas
Jamie Russom
Marianne Sadowski
Ann Schuster

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